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MIXING AND POOLING: Immigrants from all over the country meet at
a reception inside a musem gallery to learn about a landmark
exhibit that will highlight their escape, and ultimately, their
success, in America.
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WASHINGTON — This
year, as tens of thousands of immigrants remember the day — three
decades earlier — when they first came to America, they and others also
are looking ahead.
Ahead to May of 2006, to be precise.
That’s when the Smithsonian Institution’s first-ever exhibit on
Vietnamese Americans and their resettlement will take center stage in a
much-anticipated debut. The show, focusing on the escape of families,
their sacrifice and their survival, has already garnered more than
$100,000 in support from donors across the nation. But boosters last
week asked for more.
Museum officials gathered nearly 200 men and women at the Freer Gallery
of Art, inside the huge Smithsonian complex, to explain why.
“The Vietnamese American population certainly is one of the critical
ones that can help illuminate American history,” said Franklin Odo,
Smithsonian’s director of Asian Pacific American programs. He asked the
crowd to share the news of what’s being planned and to open their
wallets to help make it happen.
“There’s no finer organization to showcase Vietnamese Americans,” added
Frank Jao, president of Bridgecreek, the premier developer of Little
Saigon in Southern California. He is a member of the Founder’s Circle —
31 individuals or groups — who gave in the first phase of fund raising,
totaling $107,000. Another $80,000 must be collected for installation
and to allow the material to travel in the United States for two to
three years.
“I and all of us here tonight, I’m sure, will give the best support we
can,” Jao said.
He spoke to an audience that had come to Washington for the Vietnamese
American National Gala, a star-studded celebration of cultural heritage
and pride. This throng was among the events leading up to the VANG
dinner.
Why give?
Organizers passed out a list offering inspiration:
The exhibit honors the triumph of the Vietnamese people against
overwhelming odds.
The Smithsonian has the resources and distribution to reach a national
audience.
The staff of the APA Program, led by Odo, will create curriculum and
events to blend into the show, maximizing its learning potential.
Any amount is appreciated, but only donations $2,500 or above will be
thanked publicly, says development consultant Francey Youngberg.
“Do you see yourself” when you go to museums, she asked listeners. “Do
you see the story of your family? Can you bring your children and see
Vietnamese American history being reflected?”
To motivate potential donors and to allow participants a glimpse of what
will go on display, researcher Vũ Phạm delved deeper. He titled his
presentation: “Who are Vietnamese Americans?”
“What comes to mind when you hear the words Vietnamese Americans?” he
questioned, citing a list: “War. Refugees. Gangs. Nail salons. Fish
sauce. Ardent anti-communists.”
Phạm, who holds a Ph.D. from New York’s Cornell University and whose
work focuses on this group of immigrants, is working with Smithsonian
staff to plan the exhibit content. He says he wants to share the
challenges and contributions of Vietnamese Americans, along with the
diversity of their daily life.
The challenges: Migration. Adaptation. Generational differences. The
isolation of the elderly to the education of youth. Then there’s the
language barrier.
The contributions, what these people have offered their new country,
include: Entrepreneurs. Technology. Shining achievements in sports,
entertainment, media, arts, literature, government, along with
participation in nonprofit organizations and building Little Saigon
communities.
He talked about Web site news and lesson plans and an exhibit, he says,
that would do the community “proud.”
Supporters say they can’t wait.
“The Smithsonian would be the best place” and most “prestigious place to
exhibit our culture,” said Nguyễn Xuân Ngŕi, board chairman for Viet
Heritage Society, a donor based in San Jose.
“This is the first project that requires our contribution on a national
scale,” said Thanh Nguyễn, a board member of the National Portrait
Gallery in Washington. “Community actions are what counts.”
“We’re very excited that we can find a museum to exhibit the past, the
present and the future of Vietnamese Americans,” added Jackie
Bông-Wright, author of “Autumn Cloud: from Việt Nam War Widow to
American Activist” who lives in Virginia. “All of us have to be
involved, to contribute a piece of art, an idea or finances.”
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